One of my motivations as a compositional writer is the reconciling not only of alternative forms of tuning, but the way that our acoustic atmosphere is coinciding with the digital programs of electronic music. This experimental song was written forwards and is first played backwards; around nine minutes in, the subtle shift is observed as the rhythmic melodies are reversed. This experimental work in my style of bridging electronic with acoustic sounds is held together by the constant steady background of chirping crickets and a singing bowl. I really wanted to bring in natural elements in contrast to the simulated instruments provided by my software. It is my singing heard in the background.
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